“Prophet is in great shape, we have Marc Guggenheim writing the screenplay. There were a number of writers vying for the job to write the screenplay, and I knew when I met with Marc that he was the guy. Studio 8 was really excited to fit into his schedule — he’s very in demand — and we had a couple conversations, and I’m like, ‘Wow, Marc really gets it, he’s the right guy, I’m honored that he’s even interested.’ He expressed that he was a fan back in the day. I’ve known Marc for about a decade; I was a fan of his comic books that he was writing prior to him taking over the CW Arrow show… He had a great, very, very, I cannot tell you how true and reflective of the comic book what he’s doing [is], but he’s [also] bringing a fresh, Guggenheim kind of couple new little twists in there that are great. So that’s onboard. If that first draft is great, I guess we’ll find a bubble to shoot it in.”
When our own
Christina Radish spoke with Guggenheim about the Prophet script, he also spoke toward the project’s dual goals of character reverence and originality: “How do you be original, and how do you not make it feel derivative? That way that I tend to look at superhero movies, both as a writer and as a viewer and audience member is that I now think of superheroes as its own sub-genre. You can do a superhero movie that feels like a Western, or you can do a superhero movie that feels like a horror movie. If you approach it with that in mind, you can avoid things that have become cliche.”